Quayola
STORMS
This series of video works uses ultra-high-definition footage of Cornwall’s stormy seas as a dataset to generate new computational paintings. The works “paint themselves” over the flow of dilated time, pictorial forms that untangle on the canvas/screen, crumbling towards abstraction. Although the link with reality thins on a retinal level, the paintings are generated from the exact same “natural data” captured en plein air. The machine is programmed to produce a “traditional painting” of a digital substance, a painting of pixels.




STORMS
This series of video works uses ultra-high-definition footage of Cornwall’s stormy seas as a dataset to generate new computational paintings. The works “paint themselves” over the flow of dilated time, pictorial forms that untangle on the canvas/screen, crumbling towards abstraction. Although the link with reality thins on a retinal level, the paintings are generated from the exact same “natural data” captured en plein air. The machine is programmed to produce a “traditional painting” of a digital substance, a painting of pixels.